Longley, A.M, Radio Strainer. The Preface Series, Winchester University
Press, U.K. 2016.
Longley, A.M, the foreign language of motion. The Preface Series, Winchester
University Press, U.K. 2014.
Editor of Book:
Duxbury, N., Garrett-Petts, W., Longley, A. Artistic Approaches to Cultural
Mapping; Activating Imaginaries and Means of Knowing. Routledge. London, U.K.
Brown, C. and Longley, A. (Eds) Undisciplining Dance in Nine Movements and
Eight Stumbles. Cambridge Scholars Press. Cambridge; U.K. 2018.
Quaresma, J., Longley, A.M, Rosa-Dias, F. (Eds) Research in Arts; Irony, Criticism
and Assimilation of Methods. Lisbon School of Theatre and Film, Portugal, 2015.
Quaresma, J., Longley, A.M. (Eds.) Investigação em Artes E Absurdo; Research in
Arts and Absurdity . Lisbon School of Theatre and Film, Portugal, 2016.
Editor of Journal:
LONGLEY, A. and BARBOUR, K. (Eds) Undisciplining Dance. Dance Research
Aotearoa. December 2017.
DUXBURY, N. and LONGLEY, A.M, (Eds). Mapping Intangible Culture, City,
Culture, Society, January 2016.
Refereed Journal Articles:
Longley A, Fisher K, O’Connor G, Hutchinson J. Touching Outward: Art-Making at the Seam Where Care Meets Risk Journal of Embodied Research 4(1) 05 Feb 2021
Fitzpatrick E, Longley A. Performative Writing as a Method of Inquiry With the Material World: The Art of the Imperative LEARNing Landscapes 13(1):115-128 2020
LONGLEY, A.M and Kensington-Miller, B. Visibilising the invisible: three narrative
accounts evoking unassessed graduate attributes in dance education, Research in
Dance Education, 2019, DOI: 10.1080/14647893.2019.1644616
LONGLEY, A.M, and Kensington-Miller, B. Under the Radar: exploring "invisible"
graduate attributes in tertiary dance education. Journal of Applied Research in
Higher Education, (11)1, 2018, pp. 66-75. https://doi.org/10.1108/JARHE-12-
Kensington-Miller, B., Knewstubb, B. LONGLEY, A.M, Gilbert, A. From invisible to
SEEN: a conceptual framework for identifying, developing and evidencing
unassessed graduate attributes. Higher Education Research and Development,
Vol. 37 (7), 2018. p. 1439-1453.https://doi.org/10.1080/07294360.2018.1483903
LONGLEY, A.M, I wanted to find you by inhabiting your tongue: Mistranslating
between words and dance in choreographic practice. Choreographic Practices,
Special Edition on Words and Dance, 8 (1), 2017, p. 27-49. https://doi-
LONGLEY, A.M, Skeleton boat on an ocean of organs’ and other stories:
understanding and evoking posthuman relations through site-based dance,
somatic practices, performance writing and artist-books. Text and Performance
Quarterly, Special Edition on Posthuman Relations and Performance Studies, 36
(4), p. 229-249, 2017. DOI: 10.1080/10462937.2016.1240827
LONGLEY, A.M, Translating home: dance, cities and moments. Dance Research
Aotearoa, Special Issue on Community Dance. Volume 4, 2016. p. 117-133
LONGLEY, A.M., & DUXBURY, N. Introduction, Mapping Cultural Intangibles, City,
Culture and Society, Special Issue on Mapping Intangible Culture. 7 (1). 2016. p.
LONGLEY, A.M,, ŠUNDE, C., FISHER, K., MATHEWMAN, S. (2015) ‘Fluid Pixels’,
HyperRhiz, 12, Summer 2015. (Creative Digital Article, N.P.)
LONGLEY,A.M, FITZPATRICK, K., MARTIN, R.,. BROWN, C., ŠUNDE, C. EHLERS,
C., BRIERLEY, G.,WAGHORN, K. ‘Imagining a Fluid City’, Qualitative Inquiry
19(9) 2013. p.736-740.
FITZPATRICK, K. and LONGLEY, A.M, ‘Embodiment and affect in research
collaborations’. Emotion, Space, Society. Volume 12, 2013, p. 49-54
LONGLEY, A.M, Experimental Documentation/ Choreographic Translation. Dance
Research Aotearoa. 1 (1) 2013, p. 75-85.
LONGLEY, A.M, and TATE, K. ‘Writing the Somatic in the Insomnia Poems
Project’. Journal of Dance and Somatic Practices. 3(1-2), April 2012, p.229-242.
McMEEL, D., BROWN, C., LONGLEY, A.M, ‘Design, digital gestures and the
in[ter]ference of meaning: Reframing technology’s role within design and place
through performative gesture’. The International Journal of Performance Arts and
Digital Media, 7(1), 2011, p. 5-22
LONGLEY, A.M., WILLIS, E., HARVEY, M.R., HARRIS, B.’Almost Reaching You /
Missing U’, Fracija, 50, 2009, p.106-111.
LONGLEY, A.M. ‘Moving words: improvising with Simone Forti’, Writings on
Dance, 24, 2008, p.63-75.
BUCK, R., HARVEY, M. LONGLEY, A.M, Our Dance Scrapbook, Performance
Research, Vol. 11 Issue 2, 2006, p.87-94.
Longley A. Creasing and Folding Language in Dance Education Research In Poetry, Method and Education Research Doing Critical, Decolonising and Political Inquiry. Editors: Fitzpatrick, Esther, Fitzpatrick, Katie. 1st: 238-253. Routledge, Oxon and New York 21 Jul 2020
LONGLEY, A.M. Reflections on Smudge Skittle, an inventory of resources
entangling artistic practice and writing, in Midgelow, V., Bacon, J., Kramer, P.,
and Hilton, B. Researching (in/as) Motion A Resource Collection, Nivel, Helsinki,
LONGLEY, A.M, and BUCK, R. A Gap in the Place Where A Teacher Should Be, in
Farquhar, S. and Fitzpatrick, E. (Eds). Innovations in Narrative and Metaphor.
Springer, U.S.A, 2019, p. 253-266.
LONGLEY, A. The Feeling of Time Between Us, in Wilson, A. (Ed) Te Ao Live:
Experimental Dance Aotearoa in the Early 21st Century. Blurb. 2019. p.164-169.
LONGLEY, A.M and BROWN Brown, C. and Longley, A. (Eds) INTRODUCTION
Undisciplining Dance in Nine Movements and Eight Stumbles. Cambridge Scholars
Press. Cambridge; U.K. 2018, p. 1-14.
LONGLEY, A.M and DUXBURY, N. INTRODUCTION in Duxbury, N., Garrett-Petts,
W., Longley, A. Artistic Approaches to Cultural Mapping; Activating Imaginaries
and Means of Knowing. Routledge. London, U.K. 2018, p. 1-22.
ROCHE, J. and LONGLEY, A.M. What would it be, if it didn’t have to be like that?
Undisciplining the Travel of Dance in the Neoliberal University. in Brown, C. and
Longley, A. (Eds). Undisciplining Dance in Nine Movements and Eight Stumbles.
Cambridge Scholars Press. Cambridge; U.K. 2018, p. 49-58.
LONGLEY, A.M, A Series of Fallible Asides and Improvised Poems, drawn from the
Mistranslation Laboratory. Associaçāo dos Arqueòlogos Portugueses, Portugal,
LONGLEY, A.M, Half-Hearted Donkey Routines We Cannot Do Without, in Longley,
A., Rosa Dias, F., Mendes, J.M., (Eds) Research in Arts and Absurdity. Lisbon
School of Theatre and Film, Portugal, 2016. p. 101-112.
LONGLEY, A.M, Smashing Eggs; On the Ironic Pleasures of Mangling in Artistic
Research, in Quaresma, J., Longley, A., Rosa-Dias, F (Eds). Research in Arts,
Irony, Critiscm and Assimilation of Methods. Lisbon School of Theatre and Film,
Portugal, 2015. p.30-43.
LONGLEY, A.M, Practice-led dance writing; Oscillating between proximity and
distance. Typologies of Artistic Research, Ed. José Quaresma , University of
Lisbon, Faculty of Letters. 2014, p.21-34.
ŠUNDE, C. AND LONGLEY, A.M, “fluid city/ Water in the Sustainable City" in
Animation of Public Space through the Arts: Towards More Sustainable
Communities" Ed. Nancy Duxbury, Alemedina Press, Portugal. 2014, p.157-166.
LONGLEY, A.M, Movement Initiated Writing in Dance Ethnography. 40th
Anniversary of Studies in Symbolic Interaction, Ed. Norman Denzin, Emerald
Books, U.S.A. 2013, p.69-94.
LONGLEY, A. M., & BUCK, R. M. Fostering inclusion, creativity and diversity
through studio teaching. In R. M. Buck, & N. Gregory (Eds.), Studio Teaching
Symposium. Auckland: Centre for New Zealand Art, Research and Discovery.
2011, p. 87-94.
Papers in Refereed Conference Proceedings:
Kramer, P. and Longley, A.M, Moving, Writing Living; Experimental Documentary
Practices in Site-Specific Dance Research. Expanding Notions; Dance, Practice,
Research, Method. 12 th International Nordic Forum of Dance. Reykjavik, Iceland,
28-31 May 2015.
LONGLEY, A.M. ‘Rethinking Dance Writing’, World Dance Alliance: Global
Summit, Dr Cheryl Stock(ed.), World Dance Alliance: Global Summit, Queensland
University of Technology, Brisbane, Queensland, Australia, 14 – 18 July, 2008.https://ausdance.org.au/articles/details/rethinking-dance-writing
BROWN, C., CLAID, E., BUCK, R.M., PARMENTER, M.E., LONGLEY, A.M.’Scopic
Bodies Panel: Tempo Dance Festival’, Scopic Bodies: Dance Studies Research
Seminar Series, Dance Studies, National Institute of Creative Arts and Industries,
The University of Auckland, 6 August – 8 October, 2007.
LONGLEY, A.M, ‘Inclusion in our Choreographies and Classrooms’, Dance and theChild International (DaCi), Salvador, Brazil, DaCi International, 2003, p. 81-88.
Works of Creative Literature and Creative Work:
LONGLEY, A.M, Brush the implement of your weight, brush its mechanisms of
difference, into the hands of time. Series of Three Artist-Books, Invited Artist-
Installation for the Modes of Capture Symposium, Irish World Academy of Music
and Dance, Jenny Roche and Roisin O’Gorman (Curators), Ireland, 21-23 June
LONGLEY, A.M, Mistranslation Laboratory. Experimental Dance Week Aotearoa,
Auckland, NZ, February 4-9, 2019.
LONGLEY, A.M, CAMPBELL, M. CORVALÁN-PINCHEIRA, M. Mapeo de Bordes
Porosos. Performance, Contemporary Ethnography Across the Disciplines
International Hui, Museum of Memory and Human Rights, Santiago, Chile. 23
LONGLEY, A.M, Fungi Drift, Votive Poetics International Symposium, Curator Lisa
Samuels, University of Auckland, Auckland, N.Z. 28 August 2018.
LONGLEY, A,M, Laboratorio de Error de Traducción. Sur Sur Exhibition. Museum
of Contemporary Art Santiago. 15 November 2017-3 December 2017.
LONGLEY, A.M, Mistranslation Laboratory. Performance Arcade, Wellington, NZ.
16-19 March 2017.
LONGLEY, A.M, Straining to Translate You. HZT Open Lecture -Performance
Lecture, HZT Dance School, Berlin. 6 May 2015.
LONGLEY, A.M, ŠUNDE, C, FISHER, K, and MATTHEWMAN, S. Fluid City; An Arts-
Science Collaboration with James Cook High School. Transforming Cities Initiative
and Auckland City Art Week, The University of Auckland, 16 October 2014.
LONGLEY, A.M and HOLDAWAY, J. (2013). Radio Strainer. Window Gallery,
University of Auckland. 30 April – 1 June 2013.
LONGLEY, A. (2013) Radio Strainer Artist Book. Before Performance. ]
performance space [, London, 28-30 November 2013, London. Bryony White.
LONGLEY, A.M., SUNDE, C., WAGHORN, K., EHLERS, C., FITZPATRICK, K.,
BRIERLEY, G., MARTIN, R., BROWN, C., Fluid City; An Arts-Science Collaboration
for Auckland City. Transforming Cities Initiative, The University of Auckland.Wynyard Quarter, 25 and 27 March, 2012.
LONGLEY, A.M. 8 Poems from the Kinesthetic Archive Project, JAAM 28, 2010
LONGLEY, A.M.’Insomnia Poems’, The One Project, Gundry Street Studios, Sean
Curham (Curator), 2009
LONGLEY, A.M., WILLIS, E ., HARVEY, M.R ., HARRIS, B .’Almost Reaching You /
Missing U’, Shift, Performance Studies International, PSI:15: Mis-performance
(curated event), Zagreb, Zagreb National Theatre, 2009
LONGLEY, A.M, SMITH, V.A.’Camper’, Tempo: New Zealand’s Festival of Dance, Tapac Centre for Performing Arts, Auckland, Tempo: New Zealand’s Festival of Dance, 2007
LONGLEY, A.M, Suture. Maidment Musgrove Theatre, November 2006.
LONGLEY, A.M, Smudge Skittle: a little inventory of resources entangling creative
research practice and writing. Auckland. University of Auckland Writing Writing
Videotapes and films:
LONGLEY, A.M. Three Films from the Mistranslation Laboratory. Modes of Capture
Symposium, Irish World Academy of Music and Dance, Jenny Roche and Roisin
O’Gorman (Curators), Ireland, 21-23 June 2019.
LONGLEY, A.M and HOLDAWAY, J.M, Radio Strainer. Visualising Relationships
Exhibition-Memory ^ sentiment ^ body ^ space ^ object, Dialogues between
Dance and Art, Coventry University Icehouse, Rosamaria Cisneros and Jane Ball
(Curators). 14-18 May 2015.
LONGLEY, A.M., WILLIS, E . Almost Reaching You/ Missing U. Performance
Research 15(2), Performance DVD, p.34, 2010.
LONGLEY, A.M, Brown, C., Harvey, M. (2019). Decolonising Artistic Research.
(Per)Forming Futures, Artistic Doctorates in Europe Symposium, Middlesex
University, U.K. 12 April 2019.
Fitzpatrick, E., Webber, M., Bruce, T., LONGLEY, A.M. (2018). Innovations in
Narrative and Metaphor: Methodologies and Practices, Contemporary
Ethnography Across the Disciplines 2018, Borders and Boundaries,
University of Santiago, Chile, 18 November 2018.
LONGLEY, A.M. Yoon, C., Fitzpatrick, E. (2018). Introducing SMUDGE SKITTLEs
: A little inventory of resources entangling creative practice research and
writing, Association for Visual Pedagogies Symposium, #Little Publics,
University of Auckland, 20 June 2018.
LONGLEY, A.M, O’Connor, G., Fisher, K. (2018). Enabling dialogues on how
water matters to us; Visual pedagogies as participative art practice.
Association for Visual Pedagogies Symposium, #Little Publics, University of
Auckland, 20 June 2018.
LONGLEY, A.M. (2016). Mapping with my skin: translating the stuff of place.
Performance Studies international. Melbourne University, Australia.
LONGLEY, A. M. (2015). Smashing Eggs; On the Ironic Pleasures of Mangling in
Artistic Research. In Investigations in Arts Symposium; Assimilating
Ironies. Archeological Museum Del Carmo, Lisbon, Portugal.
LONGLEY, A. M. (2015). Skeleton boat on an ocean of organs; somatic
methodologies for highlighting intangible environmental values in public art. In Dance and Somatic Practices. Coventry University.
LONGLEY, A. M., & Kramer, P. (2015). Moving, Writing, Living – Experimental
Documentary Practice in Site-Specific Dance Research. In Nordic Forum for
Dance Research International Conference. Reykjavik, Iceland.
LONGLEY, A. M. (2015). Radio Strainer: A Choreographic Lecture
Demonstration in Two Parts, Paper presented at the symposium. In
‘Memory^sentiment^body^space^object: Dialogues across and between
dance and art. University of Coventry, UK.
LONGLEY, A.M. (2015). Practice-Led Dance Writing; Oscillating Between
Proximity and Distance.. In Investigations in Arts International
Symposium; The Oscillations of Methods. Archeological Museum Del
Carmo, Lisbon, Portugal.
LONGLEY, A. M. (2014). Writing with the more-than-human. In Sensual
Landscapes of Ethnography. University of Waikato.
LONGLEY, A. M. (2014). Evoking/ opening/ provoking: On art-science-
education collaboration. In A. Noble (Ed.), Ice Festival NZ. New Zealand.
LONGLEY, A. M. (2014). Imagining Water Sustainability: Art-science
collaborations for a fluid city. In Restoring Balance: Ecology, Sustainability,
Performance. Victoria University, Wellington.
LONGLEY, A. M. (2014). Affective maps of imagined places (that emerge out of
attending to here right now). In Mapping Culture; Communities, Sites,
Stories. Coimbra, Portugal.
LONGLEY, A. M. (2013). Mapping the Terrains of Aislel& and Elsel&. In Oceanic
Performance Biennial. Viaduct Events Centre, Wynyard Quarter, Auckland.
Mc Meel, D. J., Longley, A., & Harvey, M. (2012). Disrupting rhythms –
Breaking Passive Patterns of Audience Behavior. In NordiCHI 2012.
Copenhagen, Denmark. Retrieved from
LONGLEY, A. M., & Sunde, C. (2012). Fluid City. In 3rd New Zealand Mobilities
Symposium: Mobilities and Wellbeing. University of Auckland, New
LONGLEY, A. M. (2012). Twists of Meaning in the Corporeal Translations
Project. In Contemporary Ethnography Across the Disciplines. University of
LONGLEY, A. M. (2012). Corporeal Translations : Choreographic Performance.
In Contemporary Ethnography Across the Disciplines. University of
LONGLEY, A. M., & Wood, R. (2012). Fluid perceptions and the desire of urban
flows. In PSi 18 Performance Culture Industry. University of Leeds, UK.
LONGLEY, A. M., & Tate, K. (2011). Insomnia Poems. In What, S. Whatley, &
P. Kramer (Eds.), Dance and Somatic Practices Conference 2011. University of Chichester, UK.
LONGLEY, A. M. (2011). Translating Affect: Response to Joe Kelleher. In
Performance Symposium and Workshop. AUT University, Auckland.
LONGLEY, A. M. (2011). Funded Invitation to present at the Australasian
Feldenkrais Association Symposium 2011. In Australasian Feldenkrais
Symposium. The Greek Centre, Brisbane, Australia.
LONGLEY, A. M. (2010). Movement Initiated Writing in Dance Ethnography. In
Contemporary Ethnography Across the Disciplines. University of Waikato,
Hamilton, New Zealand.
LONGLEY, A. M. (2010). Dancing Minor Literatures. In Dancing Across the Disciplines Symposium (pp. 13). University of Otago, Otago, New Zealand.
Mc Meel, D. J., Brown, C., & LONGLEY, A. (2010). Architectural Statements and
Technological Phrases: An inter-disciplinary investigation of performance
and technology, and its influence on spatial design and occupancy. In
DRHA 2010: Sensual Technologies. London, UK:
http://dermottmcmeel.wordpress.com/. Retrieved from http://www.arts-
LONGLEY, A. M. (2009). Not Knowing But Following. In Silent Voices
Forbidden: Censorship and Performance THE INTERNATIONAL
FEDERATION FOR THEATRE RESEARCH (pp. 194). Lisbon, Portugal.
Brown, C., Claid, E., Buck, R. M., Parmenter, M. E., & LONGLEY, A. M. (2009).
Scopic Bodies Panel: Tempo Dance festival. In D. R. Buck, A. Longley, M.
Harvey, & D. N. Rowe (Eds.), Scopic Bodies: Dance Studies Research 2007
Proceedings (pp. 79-105). Dance Studies, National Institute of Creative
Arts and Industries, The University of Auckland.
LONGLEY, A. M. (2009). Misperforming Studio Practice with Pages. In
Misperforming Symposium. AUT University, Auckland, New Zealand.
LONGLEY, A. M. (2009). A Discussion of Performance Making and Writing Via
the Immersed Project. In M. Blazevic, D. O. Dramaturgy, A. O. D. Art, & U.
O. Zagreb (Eds.), Performances Studies International Conference 15.
Zagreb University, Zagreb, Croatia.
LONGLEY, A. M. (2008). Rethinking Dance Writing. In C. Stock (Ed.), Refereed
proceedings of the World Dance Alliance Global Summit 2008. Queensland
University of Technology, Brisbane, Queensland, Australia. Retrieved from
Brown, C., Claid, E., Buck, R. M., Parmenter, M. E., & LONGLEY, A. M. (2007).
Scopic Bodies Panel: Tempo Dance Festival. In Dance Studies Research
Seminar Series: Scopic Bodies. Dance Studies, National Institute of
Creative Arts and Industries, The University of Auckland.
LONGLEY, A.M. Darkening and Dirtying Artistic Research in Aotearoa N.Z. Tisch School,
NYU, New York, Fall Public Lecture Series, 7 November 2019.
LONGLEY, A.M., Campbell-Parra, M., Corvalán-Pincheira, M. Extracción de
Lealtades/ Extractive Loyalties, Propositions Lecture Series, School of the Art
Institute, Chicago, 29 October 2019.
LONGLEY, A.M. touching form/ sensing memory: experimentally documenting moving
practices with moving practices. IDOCDE – International Symposium of Contemporary
Dance Education Symposium, IMPULSTANZ, Vienna, 28 July 2019.
LONGLEY, A.M. Creative Documentation of Creative Practice – Writing in the Expanded
Field, Irish World Academy of Music and Dance, Limerick University. April 19, 2019.
LONGLEY, A.M. Communicating Water Sustainability through interdisciplinary Creative
Practice; The Fluid City Project, Centre for Social Studies (CES), University of Coimbra,
Portugal, 27 March 2015, (live-streamed to international audiences as part of the
Culturalizing Sustainable Cities Project and still available on YouTube)
LONGLEY, A.M. Loops, Notes, Folds and Fragments. Invited Presentation for C-Dare
Research Unit, Coventry University, 21 st October 2015.
LONGLEY, A.M. Translating Home: An Auto-ethnography of Moving in Diverse
Dancing Communities, University of Otago, 26 th November, 2015.